Lighting

Standard 120K with 60K up and 60k down

60k {ETC Pars} up will have two {2} 4-lite ACLs and 4 ETC Leko's/26 degree. 6 Robe-Spot 575XT, Pars will be loaded with Narrow Lens

Midstage truss will have 4 ETC lekos/26 degree with 2 James Thomas Fays {9 lite} and 4 Robe-Spot 575 XT

60k {ETC Pars} down with 6 ETC Leko's/26 degree, Pars will be loaded with Medium Lens

House Left and Right single truss will each have one Robe-Spot 575XT and 5-26 degree ETC leko's each

Boxing Ring will be loaded with Par 56's as well as Atomic Strobes and Robe Scans/ 250XT, 8-UV Beam fixtures

Balcony truss will have 12 Par 56 fixtures as well

Four Strong Cantos spotlights positioned rear house right and house left

Two JEM Hazers

Sound

26 L-Acoustics V- Dosc (13 Left, 13 right)

12 L-Acoustics 218 subwoofers (6 left, 6 right)

5 L-Acoustics PF12P Full range (balcony reinforcement)

5 L-Acoustics SB15P subwoofers (balcony Reinforcement)

1 Yamaha PM5D FOH

1 Yamaha PM5D- RH for monitors

12 12 AM Clair monitor wedges

1 2x18 drum sub

2 R 4s side fills with 2x18 subs

All V-Dosc are powered by L-Acoustic amps

All audio between mixing consoles and rack room is transmitted down multimode fiber using Optocore gear

Stage Left had 64 mic inputs, stage right has 48 mic inputs, truck dock has 64 outputs

All points are patchable

Video

1 Christie Roadster S12K projecting on 15'9" X 28' screens (1 stage left, 1 stage right)

2 Panasonic PT-DW7000U-K projecting on 2 8'8" X 13' screens (1 stage left and 1 stage right)

6- 50" Lg Plasmas (1 stage Left, 1 stage Right, 4 behind the bar area in rear of room)

All video is HDSDI w/ a synergy mixing board

All video is patchable via multiple points throughout the room

Power

2/400 AMP 3 phase cam out company switch for A/V off stage left

1/100 AMP 3 phase cam out company switch for A/V off stage left

1/100 AMP 3 phase cam out company switch for A/V at the truck dock